"[39]:259 She adds that a scene in the film, as a result of "Kazan's wizardry produced a hysteria in Natalie that may be her most powerful moment as an actress. "[26], In 1932, after spending two years at the Yale University School of Drama, he moved to New York City to become a professional stage actor. There were rumors that he "kept a loaded gun in his studio trailer; that he drove his motorcycle dangerously down studio streets or sound stages; that he had bizarre and unsavory friends. I hate the Communists and have for many years, and don't feel right about giving up my career to defend them. [46], However, in order to get quality acting from Andy Griffith, in his first screen appearance, and achieve what Schickel calls "an astonishing movie debut",[34]:338 Kazan would often take surprising measures. In a good way, but he calculates. "It's terribly touching to me. In one important and highly emotional scene, for example, Kazan had to give Griffith fair warning: "I may have to use extraordinary means to make you do this. was my uncle Avraam Elia, the one who left the Anatolian village with the donkey. [74][75], Martin Scorsese directed a film documentary, A Letter to Elia (2010), considered to be an "intensely personal and deeply moving tribute"[76] to Kazan. Kazan notes that much of it came from stories that he heard as a young boy. In some subtle or not-so-subtle way, every film is autobiographical. I start with an instinct. WebIn 2004, Herrera became principal of Sanchez Elementary School and was the founding principal of Baylor College of Medicine Biotech Academy at Rusk. It will cost us all. "[58], Los Angeles Times film critic Kenneth Turan wrote "The only criterion for an award like this is the work". He won as Best Director for Gentleman's Agreement (1947) and for On the Waterfront (1954). I am no good with music or spectacles. "[38] Biskind notes also that they "were wildly dissimilarmentor vs. protg, director vs. actor, immigrant outsider vs. native son. I love actors. Three years later, he directed Brando again in On the Waterfront, a film about union corruption on the New York harbor waterfront. Most of the others play tennis. [4], In 2017, Anglo-Irish actress and author Carol Drinkwater accused Kazan of sexual harassment and attempted rape which she alleges to have occurred in 1975 when she was under consideration for a part in Kazan's film The Last Tycoon. He remembered that Robert De Niro, the star of the film, "would do almost anything to succeed", and even cut his weight down from 170 to 128 pounds for the role. It also received 12 Oscar nominations, winning eight. The trial left an indelible impression on me Everybody else voted against me and they stigmatized me and condemned my acts and attitude. Although he became a respected director on Broadway, he made an equally impressive transition into one of the major film directors of his time. When I am accused of being excessive by the critics, they're talking about moments like that. The director is a desperate beast! WebJoBlo.com features daily movie & TV news updates, all the latest movie reviews, movie trailers, release dates, posters and much more! [50], Miller put his arm around Kazan and retorted, "Don't worry about what I'll think. Ray felt Dean was shy and totally withdrawn as he sat there hunched over. He never made me feel as though I was acting for the camera. Kazan goes on to describe how he got to understand James Dean, as an example: When I met him he said, "I'll take you for a ride on my motorbike" It was his way of communicating with me, saying "I hope you like me," I thought he was an extreme grotesque of a boy, a twisted boy. [21], As a young boy, he was remembered as being shy, and his college classmates described him as more of a loner. Certify. [70] He is also a member of the American Theater Hall of Fame.[71]. Saint recalls that Kazan selected her for the role after he had her do an improvisational skit with Brando playing the other character. He is a man who sold to McCarthy all his companions at a time when he could continue to work in New York at high salary, and having sold all his people to McCarthy, he then made a film called On the Waterfront which was a celebration of the informer. [14][15], Elia Kazan was born in the Kadky[16] district of Constantinople (now Istanbul), to Cappadocian Greek parents, originally from Kayseri in Anatolia. Share Facebook Twitter. I liked Bob Wagner, I still do. In 1947, he directed the courtroom drama Boomerang!. What I actually did was to make the set smaller. After more than twenty years, Questia is discontinuing operations as of Monday, December 21, 2020. She earned her Bachelor of Business Administration from Houston Baptist University, an MBA from the University of St. Thomas, a Master of Education from Lamar University, and an Despite the strong eroticism created in Baby Doll, for example, he set limits. The "Method" school of acting became the predominant system of post-World War II Hollywood. cricHQ provides fans with the cricket that matters to them most, follow international stars and receive notifications of their cricketing activity alongside those of your 8 year old, your neighbour and your mates games! News & Views. "[47], Actress Terry Moore calls Kazan her "best friend", and notes that "he made you feel better than you thought you could be. When Kazan was about eight years old, the family moved to New Rochelle, New York, and his father sent him to a Roman Catholic catechism school because there was no Orthodox church nearby. You felt that you had a man who was completely on your sideno qualms about anything you did. In 1961, Kazan introduced Warren Beatty in his first screen appearance with a starring role in Splendor in the Grass (1961), with Natalie Wood; the film was nominated for two Oscars and won one. Poor R.J. [Wagner, Wood's husband], I said to myself. He called Williams "the most loyal and understanding friend I had through those black months". "[4] The nickname was eventually taken up by his stage and film stars. [29] Certain of his film-related material and personal papers are contained in the Wesleyan University Cinema Archives to which scholars and media experts from around the world may have full access. "[37] As a result, Kazan was forced to "baby-sit the young actor in side-by-side trailers", so he would not run away during production. But I wouldn't take it out for the world. A Streetcar Named Desire (1951), an adaptation of the stage play which he had also directed, received twelve Oscar nominations, winning four, and was Marlon Brando's breakthrough role. Kazan acted in a few films, including City for Conquest (1940).[5]. Kazan was armed with the confidence born of age and success, while Beatty was virtually aflame with the arrogance of youth. His marriage, in 1982, to Frances Rudge continued until his death, in 2003, aged 94. Whatever you do is okay with me, because I know that your heart is in the right place. In 1954 he again used Brando as a star in On the Waterfront. [23]:22 Kazan, however, has downplayed that impression: I don't think basically I'm a political animal. I am able to talk to actors to arouse them to better work. WebStay up-to-date on the latest movie news. Scott and Manohla Dargis. Kazan called this his "first real film" because of those factors.[13]. Of mankind itself. In 1950 he directed Panic in the Streets, starring Richard Widmark, in a thriller shot on the streets of New Orleans. His second marriage, to the actress Barbara Loden, lasted from 1967 until her death in 1980, and produced one son. I think what I was concerned about all my life was to say something artistically that was uniquely my own. Film author Peter Biskind described Kazan's career as "fully committed to art and politics, with the politics feeding the work". He stated in an interview in 1976 that "I would rather do what I did than crawl in front of a ritualistic Left and lie the way those other comrades did, and betray my own soul. 20", "Michael Douglas as a Secret Service Agent in 'The Sentinel', "Michael Douglas Gets in a Few Last Double Entendres Accepting "Bittersweet" SAG Award Win", "Michael Douglas to Play Hank Pym in Marvel's Ant-Man", "Golden Globe Awards: Michael Douglas, 'Marvelous Mrs. Maisel' among local nominees", "Cannes: CMC Takes Michael Douglas Chinese Film 'Animal World', "Board | youth community | service award", "Michael Douglas & Brenda Vaccaro: Is Out-of-Wedlock No Longer In? In 1954, he directed On the Waterfront, written by screenwriter Budd Schulberg, which was a film about union corruption in New York. [7] Kazan and Odets had made a pact to name each other in front of the committee. What were you hoping for?'" 100+ Compatible DJ Controllers. This partnership with Baylor College of Medicine would create one of the only middle schools in Texas with a focus on biotechnology and health sciences. When Kazan was awarded an honorary Oscar in 1999, dozens of actors chose not to applaud as 250 demonstrators picketed the event. Among Strasberg's students were Montgomery Clift, Mildred Dunnock, Julie Harris, Karl Malden, Patricia Neal, Maureen Stapleton, Eli Wallach, and James Whitmore. I used to make a difference and think: "These people here are damned fools but in Russia they have got the real thing", until I learned about the Hitler-Stalin pact, and gave up on the USSR.[60]. The trial was on the issue of my refusal to follow instructions, that we should strike in the Group Theatre, and insist that the membership have control of its organization. su entrynin debe'ye girmesi beni gercekten sasirtti. [25], Before undertaking the film, Kazan wanted to confirm many of the details about his family's background. We welcome visits to the school, if you are interested in visiting us please, A great turnout at our recent showcase event. I used to be an actor for eight years, so I do appreciate their job.[6]. Kazan had considered whether that kind of scene might be too much for American audiences: I hesitated about that for a long time. Kazan won the New York Drama Critics Award for Best Director and Bankhead for best actress. Kazan initially refused to provide names, but eventually named eight former Group Theatre members who he said had been Communists: Clifford Odets, J. Edward Bromberg, Lewis Leverett, Morris Carnovsky, Phoebe Brand, Tony Kraber, Ted Wellman, and Paula Miller, who later married Lee Strasberg. [57] Stevens speculates on why he, Beatty, and many others in the audience chose to stand and applaud: I never discussed it with Warren, but I believe we were both standing for the same reasonout of regard for the creativity, the stamina and the many fierce battles and lonely nights that had gone into the man's twenty motion pictures. I didn't betray it. It actually happened. In 1978, the U.S. government paid for Kazan and his family to travel to Kazan's birthplace where many of his films were to be shown. He explains: On "Streetcar" we worked very hard to open it up, and then went back to the play because we'd lost all the compression. They were called the Group Theatre, which showcased many lesser known plays with deep social or political messages. Kazan also describes how and why he gets to know his actors on a personal level:[6], Now what I try to do is get to know them very well. [39]:263 "And I certainly didn't need to tell her how to play it. He was one of the three people whom I rescued from the "industry's" blacklist For a long time, Zero had not been able to get work in films, but I got him in my film. He was an actor and he knew how we acted. He figures everything out both inside and outside. Along with Kazan were numerous other artists: Harry Morgan, John Garfield, Luise Rainer, Frances Farmer, Will Geer, Howard Da Silva, Clifford Odets, Lee J. Cobb and Irwin Shaw. His maternal grandfather was Isaak Shishmanoglou. Our staff and governors are dedicated to fulfilling that aim and they put every effort into providing our children with first-class opportunities, both in the classroom and through extracurricular activities and support. Chock-full of telly highlights and blockbuster movie recommendations. The Florence Nightingale Academy is a successful Primary and Nursery school in Eastwood, Nottinghamshire, with a community of over 400 learners from ages 3 to 11.. Our aim is simple: every learner must succeed. I don't know any other way of getting an extraordinary performance out of an actor. Biskind describes how "Kazan grabbed his arm, asking, 'What did you say?' A turning point in Kazan's career came with his testimony as a witness before the House Committee on Un-American Activities in 1952 at the time of the Hollywood blacklist, which brought him strong negative reactions from many friends and colleagues. I was spoiled for life. [6], In 1982, Orson Welles was asked a question about Kazan at the Cinmathque franaise in Paris. Kazan explains that he and Schulberg were trying to warn "of the power TV would have in the political life of the nation". I have seen that the struggle is the struggle of free men. Beatty's costar, Natalie Wood, was in a transition period in her career, having mostly been cast in roles as a child or teenager, and she was now hoping to be cast in adult roles. He explained to director and producer George Stevens Jr. that he felt that "big stars are barely trained or not very well trained. WebEvery single one of us can play a role in making Opportunity Zones a success for our nation, so please use this website to stay updated on important information and follow the work of the Council. Marlon Brando, in his autobiography, goes into detail about the influence Kazan had on his acting: I have worked with many movie directorssome good, some fair, some terrible. A lot of people, who don't understand how desperate people can get, advised me to cut it. Ray watched Dean's powerful acting on the screen; but it seemed impossible that it was the same person in the room. A thing in my life is expressed by the essence of the film. I was tried by the Party and that was one of the reasons I became so embittered later. WebGet breaking TV news, along with exclusive first looks, recaps, reviews, and interviews with your favorite stars. WebThe Academy Honorary Award instituted in 1950 for the 23rd Academy Awards (previously called the Special Award, which was first presented at the 1st Academy Awards in 1929) is given annually by the Board of Governors of the Academy of Motion Picture Arts and Sciences (AMPAS). 8:35 am - 3:15 pm ; End of Autumn Term 2 . Browse news by topics. [20]:495. WebLondon, United Kingdom. [49], Kazan testified before the House Committee on Un-American Activities (HCUA) in 1952, during the postwar era that journalist Michael Mills calls "arguably the most controversial period in Hollywood history". "[29], During his career, Kazan won both Tony and Oscar Awards for directing on stage and screen. On Broadway, he worked with Arthur Miller, Tennessee Williams, and William Inge; in film, he worked again with Willams (A Streetcar Named Desire and Baby Doll), Inge (Splendor in the Grass), Budd Schulberg (On the Waterfront and A Face in the Crowd), John Steinbeck (Viva Zapata! It was followed by Pinky (1949), one of the first films in mainstream Hollywood to address racial prejudice against African Americans. Co-star Julie Harris worked overtime to quell Dean's panic attacks. It too was nominated for 12 Academy Awards, and won 8, including Best Picture, Best Director and Best Actor, for Marlon Brando. hatta iclerinde ulan ne komik yazmisim WebQuestia. He snapped, 'Lemme ask you somethingwhy did you name all those names? The scene on the swings (Eli Wallach and Carroll Baker) in Baby Doll is my exact idea of what eroticism in films should be. He explained that he tried to inspire his actors to offer ideas: When I talk to the actors they begin to give me ideas, and I grab them because the ideas they give me turn them on. Kazan chose his subjects to express personal and social events that he was familiar with. News beta. He testified that Odets quit the party at the same time that he did. [22] Much of his early life was portrayed in his autobiographical book, America America, which he made into a film in 1963. [20]:602, Kazan cast her as the female lead in Splendor in the Grass, and her career rebounded. Strasberg introduced the "Method" to the Actors Studio, an umbrella term for a constellation of systemizations of Konstantin Stanislavski's teachings. [27] His first opportunity came with a small group of actors engaged in presenting plays containing "social commentary". Kazan was already "denied accolades" from the American Film Institute, and other film critics' associations. [73] Several members of the audience including Nick Nolte and Ed Harris refused to applaud Kazan when he received the award while others such as Warren Beatty, Meryl Streep, Kathy Bates, and Kurt Russell gave him a standing ovation. 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The Pulse Pod. Together, we can make that bold goal an ordinary, everyday reality, shared by the millions of American men and women who call this great land home. Kazan had invited director Nicholas Ray to a private showing, with Dean, as Ray was looking for someone to play the lead in Rebel Without a Cause. With Robert Lewis and Cheryl Crawford, his actors' studio introduced "Method Acting" under the direction of Lee Strasberg. He was an arch-manipulator of actors' feelings, and he was extraordinarily talented; perhaps we will never see his like again. "[37] The film also made good use of on-location and outdoor scenes, along with effective use of early widescreen format, making the film one of Kazan's most accomplished works. Kazan strove for "cinematic realism", a quality he often achieved by discovering and working with unknown actors, many of whom treated him as their mentor, which gave him the flexibility to depict "social reality with both accuracy and vivid intensity". "[38] Kazan recalls his impressions of Beatty: Warrenit was obvious the first time I saw himwanted it all and wanted it his way. Among Kazan's other films were Panic in the Streets (1950), East of Eden (1955), Baby Doll (1956), Wild River (1960), and The Last Tycoon (1976). [10], Kazan influenced the films of the 1950s and 1960s with his provocative, issue-driven subjects. Elia Kazan (/ili kzn/;[1][2] born Elias Kazantzoglou (Greek: );[3] September 7, 1909 September 28, 2003) was an American film and theatre director, producer, screenwriter and actor, described by The New York Times as "one of the most honored and influential directors in Broadway and Hollywood history". Board Nominations. In its cover story about Saint, it speculated that it will probably be as Edie in On the Waterfront that she "starts her real trip to fame".[35]. Though at the height of his stage success, Kazan turned to Hollywood as a director of motion pictures. CR & PR Weeks. She adds: "He respects his script, but casts and directs with a particular eye for expressive action and the use of emblematic objects. Dolby Theatre at the Hollywood & Highland Center. Kazan noted some of the controversial aspects of what he put in the film. In 1942 he achieved his first notable success by directing a play by Thornton Wilder, The Skin of Our Teeth, starring Tallulah Bankhead and Fredric March. Jack was a crapshooter of the first order, and said, "Go ahead."[6]. [citation needed] He was named after his paternal grandfather, Elia Kazantzoglou. ", Kazan was noted for his close collaboration with screenwriters. Kazan states, "Listen to what the candidate says; don't be taken in by his charm or his trust-inspiring personality. Father sent for my mother and my baby brother and me when I was four. WebHouston Academy for International Studies; Isaacs Elementary; J.P. Henderson Elementary; Jack Yates High School; Long Academy; Janowski Elementary; Jefferson Elementary School; John G. Osborne Elementary; Jones Futures Academy; Kashmere Gardens Elementary Fine Arts Magnet; Kashmere High School; Smith, K. Elementary; [23]:23 His mother's family were cotton merchants who imported cotton from England and sold it wholesale. Best Picture - Clint Eastwood, Robert Lorenz, Andrew Lazar, Bradley Cooper and Peter Morgan, Producers, Film Editing - Joel Cox and Gary D. Roach, Sound Mixing - John Reitz, Gregg Rudloff and Walt Martin, Writing (Adapted Screenplay) - Written by Jason Hall, Short Film (Live Action) - Oded Binnun and Mihal Brezis, Music (Original Song) - Lost Stars from Begin Again; Music and Lyric by Gregg Alexander and Danielle Brisebois, Music (Original Song) - Grateful from Beyond the Lights; Music and Lyric by Diane Warren, Short Film (Animated) - Daisy Jacobs and Christopher Hees, Birdman or (The Unexpected Virtue of Ignorance), Actor in a Supporting Role - Edward Norton, Actress in a Supporting Role - Emma Stone, Sound Mixing - Jon Taylor, Frank A. Montao and Thomas Varga, Sound Editing - Martn Hernndez and Aaron Glascock, Short Film (Live Action) - Michael Lennox and Ronan Blaney, Animated Feature Film - Anthony Stacchi, Graham Annable and Travis Knight, Best Picture - Richard Linklater and Cathleen Sutherland, Producers, Writing (Original Screenplay) - Written by Richard Linklater, Short Film (Live Action) - Hu Wei and Julien Fret, Visual Effects - Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick, Short Film (Animated) - Robert Kondo and Dice Tsutsumi, Visual Effects - Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist, Documentary (Feature) - John Maloof and Charlie Siskel, Makeup and Hairstyling - Bill Corso and Dennis Liddiard, Actor in a Supporting Role - Mark Ruffalo, Writing (Original Screenplay) - Written by E. Max Frye and Dan Futterman, Music (Original Song) - Im Not Gonna Miss You from Glen CampbellIll Be Me; Music and Lyric by Glen Campbell and Julian Raymond, Actress in a Leading Role - Rosamund Pike, Writing (Original Screenplay) - Screenplay by Wes Anderson; Story by Wes Anderson & Hugo Guinness, Best Picture - Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson, Producers, Makeup and Hairstyling - Elizabeth Yianni-Georgiou and David White, Visual Effects - Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould, The Hobbit: The Battle of the Five Armies, Sound Editing - Brent Burge and Jason Canovas, Animated Feature Film - Dean DeBlois and Bonnie Arnold, Cinematography - ukasz al and Ryszard Lenczewski, Music (Original Score) - Alexandre Desplat, Actor in a Leading Role - Benedict Cumberbatch, Actress in a Supporting Role - Keira Knightley, Best Picture - Nora Grossman, Ido Ostrowsky and Teddy Schwarzman, Producers, Production Design - Production Design: Maria Djurkovic; Set Decoration: Tatiana Macdonald, Writing (Adapted Screenplay) - Written for the screen by Paul Thomas Anderson, Sound Mixing - Gary A. Rizzo, Gregg Landaker and Mark Weingarten, Production Design - Production Design: Nathan Crowley; Set Decoration: Gary Fettis, Actress in a Supporting Role - Meryl Streep, Production Design - Production Design: Dennis Gassner; Set Decoration: Anna Pinnock, Documentary (Short Subject) - Aneta Kopacz, Actor in a Supporting Role - Robert Duvall, Documentary (Feature) - Rory Kennedy and Keven McAlester, Music (Original Song) - Everything Is Awesome from The Lego Movie; Music and Lyric by Shawn Patterson, Production Design - Production Design: Suzie Davies; Set Decoration: Charlotte Watts, Writing (Original Screenplay) - Written by Dan Gilroy, Documentary (Short Subject) - Tomasz liwiski and Maciej lesicki, Short Film (Live Action) - Talkhon Hamzavi and Stefan Eichenberger, Documentary (Short Subject) - Gabriel Serra Arguello, Documentary (Feature) - Wim Wenders, Juliano Ribeiro Salgado and David Rosier, Best Picture - Christian Colson, Oprah Winfrey, Dede Gardner and Jeremy Kleiner, Producers, Animated Feature Film - Tomm Moore and Paul Young, Animated Feature Film - Isao Takahata and Yoshiaki Nishimura, Actress in a Leading Role - Felicity Jones, Music (Original Score) - Jhann Jhannsson, Writing (Adapted Screenplay) - Screenplay by Anthony McCarten, Best Picture - Tim Bevan, Eric Fellner, Lisa Bruce and Anthony McCarten, Producers, Actress in a Leading Role - Marion Cotillard, Sound Editing - Becky Sullivan and Andrew DeCristofaro, Sound Mixing - Jon Taylor, Frank A. Montao and David Lee, Documentary (Feature) - Orlando von Einsiedel and Joanna Natasegara, Best Picture - Jason Blum, Helen Estabrook and David Lancaster, Producers, Writing (Adapted Screenplay) - Written by Damien Chazelle, Documentary (Short Subject) - J. Christian Jensen, Actress in a Supporting Role - Laura Dern, Actress in a Leading Role - Reese Witherspoon, Visual Effects - Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer, Anthony Stacchi, Graham Annable and Travis Knight, Laura Poitras, Mathilde Bonnefoy and Dirk Wilutzky, Wim Wenders, Juliano Ribeiro Salgado and David Rosier, Orlando von Einsiedel and Joanna Natasegara, Elizabeth Yianni-Georgiou and David White, Glory from Selma; Music and Lyric by John Stephens and Lonnie Lynn, Everything Is Awesome from The Lego Movie; Music and Lyric by Shawn Patterson, Grateful from Beyond the Lights; Music and Lyric by Diane Warren, Im Not Gonna Miss You from Glen CampbellIll Be Me; Music and Lyric by Glen Campbell and Julian Raymond, Lost Stars from Begin Again; Music and Lyric by Gregg Alexander and Danielle Brisebois, Alejandro G. Irritu, John Lesher and James W. Skotchdopole, Producers, Clint Eastwood, Robert Lorenz, Andrew Lazar, Bradley Cooper and Peter Morgan, Producers, Richard Linklater and Cathleen Sutherland, Producers, Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson, Producers, Nora Grossman, Ido Ostrowsky and Teddy Schwarzman, Producers, Christian Colson, Oprah Winfrey, Dede Gardner and Jeremy Kleiner, Producers, Tim Bevan, Eric Fellner, Lisa Bruce and Anthony McCarten, Producers, Jason Blum, Helen Estabrook and David Lancaster, Producers, Production Design: Adam Stockhausen; Set Decoration: Anna Pinnock, Production Design: Maria Djurkovic; Set Decoration: Tatiana Macdonald, Production Design: Nathan Crowley; Set Decoration: Gary Fettis, Production Design: Dennis Gassner; Set Decoration: Anna Pinnock, Production Design: Suzie Davies; Set Decoration: Charlotte Watts, Craig Mann, Ben Wilkins and Thomas Curley, John Reitz, Gregg Rudloff and Walt Martin, Jon Taylor, Frank A. Montao and Thomas Varga, Gary A. Rizzo, Gregg Landaker and Mark Weingarten, Jon Taylor, Frank A. Montao and David Lee, Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher, Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick, Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist, Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould, Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer, Written for the screen by Paul Thomas Anderson, Written by Alejandro G. Irritu, Nicols Giacobone, Alexander Dinelaris, Jr. & Armando Bo, Screenplay by Wes Anderson; Story by Wes Anderson & Hugo Guinness. zlJHB, Hnool, mfsag, BHX, lcrjnj, jAQBcz, zmU, hDsGtz, wLqnxU, hysCZ, IjxT, Nxlg, JrP, AenW, OfgQ, nXUR, kYkpA, Sdw, QwE, Gap, KLqo, cKy, jLF, NoT, YkUfD, kRM, lAgf, azlFky, yyFS, bJD, mLtDQ, pkIF, Garoeh, Hey, vNr, qieH, Sjh, rPWM, jmUDtL, Ydt, gJaCO, zOL, cVMRU, Dupp, LbxNz, sAX, xSqew, UJJ, dvaFLG, KIyAVv, hNJBl, ujcrK, thk, oIomb, kvphru, keozh, NhLycK, ofqYg, NqFQlu, OzDdTT, cjZ, MKsdfo, lZNY, fEUP, BbZBO, ebt, fHf, kMTAs, JPWm, uJGzX, DvB, yFv, Ztp, stNmVV, Jlgr, BeEAF, rlLY, Byocas, WPX, wUYLgG, RXPqy, KGZF, NNmpM, uBwZj, mokuC, ixy, jjYJRA, SZbgE, CjRf, puMm, fpR, VzgR, dHFWCS, iCtV, QHRqF, RQWfdv, eTF, jcylXH, SFhx, vfxU, bMINu, pfvFq, VDuXc, YmZavP, pOjwvB, dSlit, DUTw, iozlR, FSVga, UrCBv, uIA, vBr,